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The Venice Agreement

Peatland-art combo with political effect


31/5/2022 Peatland and art are combined in an installation at this year's Venice Biennale. Artists and peatland scientists, including some of the Greifswald Mire Centre, have joined forces in a worldwide network. With an art installation and happening they want to achieve more for peatlands also politically.  Representatives from art, science, nature conservation, climate policy and indigenous peoples announced the Venice Agreement at the 59th Art Biennale in the lagoon city on World Peatland Day, 2nd June 2022. Following the term “Paris Agreement on climate protection”, the Venice Agreement shall point out, that the preservation and restoration of peatlands is crucial for climate and people on our planet. It was signed, among others, by the Greifswald peatland scientist Prof. Hans Joosten, winner of the German Environmental Award.  The agreement is part of the art initiative Turba Tol Hol-Hol Tol an its peat moss installation in the Chilean Pavilion at this year's Biennale. There, the international artist collective Ensayos has set up a peat moss lawn with a video installation for this purpose in one of the historic Venetian warehouse buildings. A fair share of support was given by the Greifswald Mire Centre and the company Moorkultur Ramsloh, which harvested the peat mosses on their research sites in Lower Saxony, Germany, and organised delivery to Venice. The pavillon’s visitors can now discover the peat mosses and the moist oscillating surface they form with all senses. The video sequences convey the fascination of the peatlands in sound and vision. Turba Tol Hol-Hol Tol is primarily dedicated to the peatlands of Patagonia and the indigenous population there. At the same time, it shows that the preservation of nature, including the peatlands, is in the interest of all present and future societies and that the destruction of nature to date can only be reversed globally through the joint efforts of many local initiatives


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